26 |
|
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|
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I |
|
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R |
|
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8 |
9 |
|
|
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|
5 |
6 |
|
|
|
1 |
|
|
|
|
6 |
|
8 |
+ |
= |
|
4+3 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
14 |
15 |
|
|
|
19 |
|
|
|
|
24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
= |
|
= |
|
26 |
|
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I |
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R |
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|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
= |
|
26 |
|
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
= |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
= |
|
= |
|
26 |
|
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R |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+2 |
|
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|
5 |
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5 |
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5 |
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+ |
= |
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occurs |
x |
3 |
= |
|
1+5 |
|
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6 |
|
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6 |
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6 |
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+ |
= |
|
occurs |
x |
3 |
= |
|
1+8 |
|
|
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|
7 |
|
|
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7 |
|
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7 |
|
+ |
= |
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occurs |
x |
3 |
= |
|
2+1 |
|
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8 |
|
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8 |
|
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8 |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
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|
|
|
|
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|
9 |
|
|
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|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
|
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I |
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R |
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|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
|
|
|
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|
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26 |
|
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I |
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R |
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|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
34 |
- |
36 |
Add |
|
|
|
4+5 |
|
- |
|
3+4 |
|
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
- |
- |
|
|
|
|
Deduce |
|
|
|
|
|
- |
|
- |
|
|
Produce |
1+7 |
1+7 |
- |
9 |
- |
- |
- |
7 |
- |
9 |
Essence |
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
ADVENT 994 ADVENT
THE, SERMON, ON, THE, MOUNT |
THE, CIRCLE, IS, CENTERED |
NABLESSE, OBLIGE |
TWILIGHT, THE, NIGHT, LIGHT |
DISCRIMINATE, DISCRIMINATES, |
DISCRIMINATION, DISCRIMINATING |
ALIEN, A, NILE, ALIEN |
ALIEN, A, LINE, ALIEN |
A-LIFE-ENTERS, ALIENS |
FOR, AND, ON, BEHALF, OF |
ALIEN |
HOW, LONG, IS, A, PIECE, OF, STRING, THEORY |
CREATOR, SEE, RE, CREATE, ORDER |
JOY, OF, LIFE |
THE JOY OF LIFE |
THE CIRCLE OF THE CYCLE, THE CYCLE OF |
LIFE IS |
THE CYCLE OF LIFE, THE CIRCLE OF LIFE |
THE, CIRCLE, OF, LIFE |
THE, CYCLE, OF, LIFE |
EXTRATERRESTRIAL |
ISIS, NEPHTHYS |
ISIS NEPHTHYS |
NEPHTHYS |
THE, VALE, OF, TEARS |
THE, VEIL, OF, TEARS |
SUNLIGHT |
TALITHA, CUMI |
THE, ERECT, PENIS |
THE, ROUND, VAGINA |
ZERO, ONE, IS |
ERECT, PENIS |
O, THAT, ONE, IS, ROUND |
THE, ARABIAN, NIGHTS |
A, THOUSAND, AND, ONE, NIGHTS |
COUNTING, LETTERS, AND, NUMBERS |
COUNT, COUNTS, COUNTED, COUNTING |
COUNTS, NUMBERS |
NUMBER |
JOHN, MERRICK |
THE, ELEPHANT, MAN |
THE, ENIGMA, OF, KASPAR, HAUSER |
FATHER, MOTHER, SON, DAUGHTER, |
THE HOLY GHOST |
COPT |
COPTIC |
GODS, SON, GODS, DAUGHTER |
GODS, LIFE, FORM |
LIVING |
THE, DIMENSION |
BALANCING, JUDGEMENT |
I, AM, AT |
MAAT, IS |
THE, RESONATING, FIVE, IS |
BALANCING JUDGEMENT |
GIVE, ME, FIVE |
GI, MI, FIVE |
MEN, AND, WOMEN |
MAN, AND, WOMAN |
3 |
THE |
33 |
15 |
6 |
6 |
SERMON |
84 |
30 |
3 |
2 |
ON |
29 |
11 |
2 |
3 |
THE |
33 |
15 |
6 |
5 |
MOUNT |
83 |
20 |
2 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
2+6+2 |
9+1 |
1+9 |
10 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
|
1 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
6 |
CIRCLE |
50 |
32 |
5 |
2 |
IS |
28 |
10 |
1 |
8 |
CENTERED |
69 |
33 |
6 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
1+8+0 |
9+0 |
1+8 |
10 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
- |
|
1 |
Essence of Number |
|
|
|
8 |
NOBLESSE |
91 |
28 |
1 |
6 |
OBLIGE |
50 |
32 |
5 |
|
Add to Reduce |
|
|
|
1+4 |
Reduce to Deduce |
1+4+1 |
6+0 |
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
8 |
TWILIGHT |
108 |
45 |
9 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
- |
5 |
NIGHT |
58 |
31 |
4 |
L |
= |
3 |
- |
5 |
LIGHT |
56 |
29 |
2 |
- |
- |
12 |
- |
21 |
First Total |
|
|
|
- |
- |
1+2 |
- |
2+1 |
Add to Reduce |
2+5+5 |
1+2+0 |
2+1 |
Q |
- |
3 |
- |
3 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+2 |
- |
- |
- |
- |
3 |
5 |
|
Essence of Number |
|
|
|
12 |
DISCRIMINATE |
124 |
61 |
7 |
13 |
DISCRIMINATES |
143 |
62 |
8 |
14 |
DISCRIMINATION |
157 |
76 |
4 |
14 |
DISCRIMINATING |
149 |
77 |
5 |
- |
|
|
|
- |
1 |
|
1 |
1 |
1 |
4 |
|
40 |
22 |
4 |
5 |
ALIEN |
|
|
|
- |
|
4+1 |
2+3 |
- |
5 |
ALIEN |
|
|
|
- |
|
|
|
- |
1 |
|
1 |
1 |
1 |
4 |
|
40 |
22 |
4 |
5 |
|
41 |
23 |
5 |
10 |
- |
|
|
|
1+0 |
|
8+2 |
4+6 |
1+0 |
1 |
- |
|
|
|
1+0 |
|
1+0 |
1+0 |
- |
1 |
- |
|
|
|
11 |
A-LIFE-ENTERS |
114 |
51 |
6 |
6 |
ALIENS |
60 |
24 |
6 |
17 |
First Total |
|
|
|
1+7 |
Add to Reduce |
1+7+4 |
7+5 |
1+2 |
8 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+2 |
1+2 |
|
8 |
Essence of Number |
|
|
|
f |
= |
6 |
- |
3 |
FOR |
39 |
21 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
2 |
ON |
29 |
11 |
2 |
B |
= |
2 |
- |
6 |
BEHALF |
34 |
25 |
7 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
- |
- |
21 |
- |
16 |
First Total |
|
|
|
- |
- |
2+1 |
- |
1+6 |
Add to Reduce |
1+4+2 |
7+9 |
1+6 |
Q |
- |
3 |
- |
7 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
- |
1+6 |
- |
- |
- |
3 |
5 |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
9 |
|
5 |
|
|
|
1+4 |
|
|
|
|
|
|
- |
- |
|
|
9 |
|
14 |
|
|
|
2+3 |
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
- |
1 |
3 |
|
5 |
|
|
|
|
- |
|
|
= |
|
|
|
- |
- |
1 |
12 |
|
5 |
|
|
|
|
1+8 |
|
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
- |
1 |
12 |
9 |
5 |
14 |
|
|
|
4+1 |
|
|
= |
5 |
|
|
- |
- |
1 |
3 |
9 |
5 |
5 |
|
|
|
2+3 |
|
|
= |
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
FOUR |
4 |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
6 |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
7 |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
8 |
- |
- |
- |
- |
- |
- |
|
|
|
EIGHT |
8 |
|
- |
- |
- |
|
- |
- |
- |
- |
9 |
- |
- |
|
|
|
occurs |
x |
|
= |
9 |
= |
|
27 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
- |
|
|
|
|
|
|
|
1+8 |
|
|
- |
|
2+3 |
|
1+4 |
9 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
- |
1 |
3 |
9 |
5 |
5 |
|
|
|
- |
|
|
|
|
|
|
9 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
9 |
|
5 |
|
|
|
1+4 |
|
|
|
|
|
|
- |
|
|
9 |
|
14 |
|
|
|
2+3 |
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
1 |
3 |
|
5 |
|
|
|
|
- |
|
|
= |
|
|
|
- |
1 |
12 |
|
5 |
|
|
|
|
1+8 |
|
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
|
- |
1 |
12 |
9 |
5 |
14 |
|
|
|
4+1 |
|
|
= |
5 |
|
|
- |
1 |
3 |
9 |
5 |
5 |
|
|
|
2+3 |
|
|
= |
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
- |
- |
- |
9 |
- |
- |
|
|
|
occurs |
x |
|
= |
9 |
= |
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
1+8 |
|
|
- |
|
2+3 |
|
1+4 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
3 |
9 |
5 |
5 |
|
|
|
- |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
3 |
HOW |
46 |
19 |
1 |
L |
= |
3 |
- |
4 |
LONG |
48 |
21 |
3 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
A |
= |
1 |
- |
5 |
PIECE |
38 |
29 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
S |
= |
1 |
- |
6 |
STRING |
78 |
33 |
6 |
T |
= |
2 |
- |
6 |
THEORY |
91 |
37 |
1 |
- |
- |
37 |
29 |
16 |
First Total |
|
|
|
- |
- |
3+7 |
- |
2+9 |
Add to Reduce |
3+5+1 |
1+6+2 |
1+8 |
Q |
- |
10 |
- |
11 |
Second Total |
|
|
|
- |
- |
1+0 |
- |
|
Reduce to Deduce |
- |
- |
- |
- |
- |
1 |
5 |
|
Essence of Number |
|
|
|
7 |
CREATOR |
80 |
35 |
8 |
3 |
SEE |
29 |
11 |
2 |
2 |
RE |
23 |
14 |
5 |
6 |
CREATE |
52 |
25 |
7 |
5 |
ORDER |
60 |
33 |
6 |
23 |
First Total |
|
|
|
2+3 |
Add to Reduce |
2+4+4 |
1+1+8 |
2+8 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
|
5 |
Essence of Number |
|
|
|
J |
= |
1 |
- |
3 |
JOY |
50 |
14 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
- |
- |
10 |
- |
9 |
First Total |
|
|
|
- |
- |
1+0 |
- |
- |
Add to Reduce |
1+0+3 |
4+9 |
1+3 |
Q |
- |
1 |
- |
9 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
- |
1+3 |
- |
- |
- |
4 |
5 |
|
Essence of Number |
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
8 |
|
- |
|
6 |
|
- |
6 |
|
- |
|
9 |
|
|
|
|
|
2+9 |
|
|
1+1 |
|
= |
|
|
- |
|
8 |
|
- |
|
15 |
|
- |
15 |
|
- |
|
9 |
|
|
|
|
|
4+7 |
|
|
1+1 |
|
= |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
- |
|
I |
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
- |
2 |
|
5 |
- |
1 |
|
7 |
- |
|
6 |
- |
3 |
|
6 |
5 |
|
|
|
3+5 |
|
|
= |
|
= |
|
|
- |
20 |
|
5 |
- |
10 |
|
25 |
- |
|
6 |
- |
12 |
|
6 |
5 |
|
|
|
8+9 |
|
|
1+7 |
|
= |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
20 |
8 |
5 |
- |
10 |
15 |
25 |
- |
15 |
6 |
- |
12 |
9 |
6 |
5 |
|
|
|
1+3+6 |
|
|
1+0 |
|
= |
|
|
- |
2 |
8 |
5 |
- |
1 |
6 |
7 |
- |
6 |
6 |
- |
3 |
9 |
6 |
5 |
|
|
|
6+4 |
|
|
1+0 |
|
= |
|
|
12 |
|
|
|
- |
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
- |
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
|
|
|
|
|
|
|
6 |
|
|
6 |
6 |
|
|
|
6 |
|
|
|
|
occurs |
x |
|
= |
|
2+4 |
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
9 |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
- |
1+2 |
|
|
|
|
|
- |
|
|
- |
- |
|
|
|
|
|
|
|
4+1 |
|
|
1+2 |
|
6+4 |
|
3+7 |
|
|
|
|
|
- |
|
|
|
- |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2 |
8 |
5 |
- |
1 |
6 |
7 |
- |
6 |
6 |
- |
3 |
9 |
6 |
5 |
|
|
- |
|
|
- |
|
1+0 |
|
1+0 |
|
|
|
|
|
- |
|
|
|
- |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
19 |
THE CIRCLE OF THE CYCLE |
185 |
95 |
5 |
16 |
THE CYCLE OF LIFE IS |
162 |
72 |
9 |
14 |
THE CYCLE OF LIFE |
134 |
71 |
8 |
14 |
THE CIRCLE OF LIFE |
136 |
82 |
1 |
|
Add to Reduce |
|
|
|
10 |
Reduce to Deduce |
2+7+0 |
1+5+3 |
- |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
CIRCLE |
50 |
32 |
5 |
2 |
OF |
21 |
12 |
3 |
4 |
LIFE |
32 |
23 |
5 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+3+6 |
8+2 |
1+9 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
|
5 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
CYCLE |
48 |
21 |
3 |
2 |
OF |
21 |
12 |
3 |
4 |
LIFE |
32 |
23 |
5 |
14 |
Add to Reduce |
|
|
|
1+4 |
Reduce to Deduce |
1+3+4 |
7+1 |
1+7 |
5 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
6 |
|
- |
|
|
|
- |
- |
|
|
|
- |
9 |
|
|
|
|
|
1+6 |
= |
|
= |
|
= |
|
- |
- |
|
24 |
|
- |
|
|
|
- |
- |
|
|
|
- |
9 |
|
|
|
|
|
5+2 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
|
|
9 |
1 |
|
5 |
9 |
9 |
5 |
|
|
9 |
|
1 |
3 |
|
|
|
6+2 |
= |
|
= |
|
= |
|
- |
- |
5 |
|
|
18 |
1 |
|
5 |
18 |
18 |
5 |
|
|
18 |
|
1 |
12 |
|
|
|
1+6+1 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
24 |
20 |
18 |
1 |
20 |
5 |
18 |
18 |
5 |
19 |
20 |
18 |
9 |
1 |
12 |
|
|
|
2+1+3 |
= |
|
= |
|
= |
|
- |
- |
5 |
6 |
2 |
9 |
1 |
2 |
5 |
9 |
9 |
5 |
1 |
2 |
9 |
9 |
1 |
3 |
|
|
|
7+8 |
= |
|
1+5 |
|
= |
|
|
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
- |
|
|
|
|
|
- |
|
|
1 |
|
|
|
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
occurs |
x |
1 |
= |
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
FOUR |
4 |
|
- |
- |
- |
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
5 |
= |
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
1+6 |
|
|
- |
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
2+6 |
|
|
1+6 |
|
7+8 |
|
3+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
5 |
6 |
2 |
9 |
1 |
2 |
5 |
9 |
9 |
5 |
1 |
2 |
9 |
9 |
1 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
6 |
|
- |
|
|
|
- |
- |
|
|
|
- |
9 |
|
|
|
|
|
1+6 |
= |
|
= |
|
= |
|
- |
|
24 |
|
- |
|
|
|
- |
- |
|
|
|
- |
9 |
|
|
|
|
|
5+2 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
|
|
9 |
1 |
|
5 |
9 |
9 |
5 |
|
|
9 |
|
1 |
3 |
|
|
|
6+2 |
= |
|
= |
|
= |
|
- |
5 |
|
|
18 |
1 |
|
5 |
18 |
18 |
5 |
|
|
18 |
|
1 |
12 |
|
|
|
1+6+1 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
24 |
20 |
18 |
1 |
20 |
5 |
18 |
18 |
5 |
19 |
20 |
18 |
9 |
1 |
12 |
|
|
|
2+1+3 |
= |
|
= |
|
= |
|
- |
5 |
6 |
2 |
9 |
1 |
2 |
5 |
9 |
9 |
5 |
1 |
2 |
9 |
9 |
1 |
3 |
|
|
|
7+8 |
= |
|
1+5 |
|
= |
|
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
- |
|
|
|
|
|
- |
|
|
1 |
|
|
|
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
occurs |
x |
1 |
= |
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
5 |
= |
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
|
- |
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
2+6 |
|
|
1+6 |
|
7+8 |
|
3+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
6 |
2 |
9 |
1 |
2 |
5 |
9 |
9 |
5 |
1 |
2 |
9 |
9 |
1 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
N |
= |
5 |
- |
8 |
NEPHTHYS |
115 |
43 |
7 |
- |
- |
14 |
- |
12 |
Add to Reduce |
|
|
|
- |
- |
1+4 |
- |
1+2 |
Reduce to Deduce |
1+7+1 |
6+3 |
- |
Q |
- |
5 |
- |
3 |
Essence of Number |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
|
9 |
1 |
9 |
1 |
- |
5 |
|
|
8 |
|
8 |
|
1 |
|
|
|
4+2 |
= |
|
= |
|
|
|
- |
|
9 |
19 |
9 |
19 |
- |
14 |
|
|
8 |
|
8 |
|
19 |
|
|
|
1+0+5 |
= |
|
= |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
5 |
7 |
|
2 |
|
7 |
|
|
|
|
2+1 |
= |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
5 |
16 |
|
20 |
|
25 |
|
|
|
|
6+6 |
= |
|
1+2 |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
|
9 |
19 |
9 |
19 |
- |
14 |
5 |
16 |
8 |
20 |
8 |
25 |
19 |
|
|
|
1+7+1 |
= |
|
= |
|
|
|
- |
|
9 |
1 |
9 |
1 |
- |
5 |
5 |
7 |
8 |
2 |
8 |
7 |
1 |
|
|
|
6+3 |
= |
|
= |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
--- |
- |
- |
|
- |
|
- |
- |
|
|
|
- |
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
|
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
3 |
- |
|
|
|
- |
- |
- |
|
- |
|
- |
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
4 |
- |
|
|
|
- |
- |
- |
- |
- |
- |
-- |
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
|
|
- |
- |
- |
|
- |
- |
- |
- |
|
occurs |
x |
|
= |
|
1+0 |
|
6 |
- |
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
- |
- |
- |
|
- |
- |
|
|
|
- |
- |
- |
- |
|
|
|
-- |
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+4 |
|
- |
- |
|
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+6 |
|
- |
- |
|
- |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
1+3 |
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
|
|
3+2 |
- |
|
1+2 |
- |
6+3 |
- |
2+7 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
|
9 |
1 |
9 |
1 |
- |
5 |
5 |
7 |
8 |
2 |
8 |
7 |
1 |
|
|
- |
- |
|
- |
- |
- |
- |
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
9 |
1 |
9 |
1 |
- |
5 |
|
|
8 |
|
8 |
|
1 |
|
|
|
4+2 |
= |
|
= |
|
|
|
|
9 |
19 |
9 |
19 |
- |
14 |
|
|
8 |
|
8 |
|
19 |
|
|
|
1+0+5 |
= |
|
= |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
5 |
7 |
|
2 |
|
7 |
|
|
|
|
2+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
5 |
16 |
|
20 |
|
25 |
|
|
|
|
6+6 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
9 |
19 |
9 |
19 |
- |
14 |
5 |
16 |
8 |
20 |
8 |
25 |
19 |
|
|
|
1+7+1 |
= |
|
= |
|
|
|
|
9 |
1 |
9 |
1 |
- |
5 |
5 |
7 |
8 |
2 |
8 |
7 |
1 |
|
|
|
6+3 |
= |
|
= |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
|
- |
- |
|
|
|
- |
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
- |
- |
|
|
- |
- |
- |
|
- |
- |
- |
- |
|
occurs |
x |
|
= |
|
1+0 |
|
- |
|
|
|
- |
- |
- |
- |
|
|
|
-- |
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+4 |
|
- |
|
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+6 |
|
- |
|
- |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
|
|
3+2 |
- |
|
1+2 |
- |
6+3 |
- |
2+7 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
9 |
1 |
9 |
1 |
- |
5 |
5 |
7 |
8 |
2 |
8 |
7 |
1 |
|
|
- |
- |
|
- |
- |
- |
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
|
5 |
|
|
8 |
|
8 |
|
1 |
|
|
|
2+2 |
= |
|
= |
|
|
|
- |
|
14 |
|
|
8 |
|
8 |
|
19 |
|
|
|
4+9 |
= |
|
1+3 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
|
|
5 |
7 |
|
2 |
|
7 |
|
|
|
|
2+1 |
= |
|
= |
|
|
|
- |
|
|
5 |
16 |
|
20 |
|
25 |
|
|
|
|
6+6 |
= |
|
1+2 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
|
14 |
5 |
16 |
8 |
20 |
8 |
25 |
19 |
|
|
|
1+1+5 |
= |
|
= |
|
|
|
- |
|
5 |
5 |
7 |
8 |
2 |
8 |
7 |
1 |
|
|
|
4+3 |
= |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
--- |
- |
- |
|
|
|
- |
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
3 |
- |
- |
|
- |
|
- |
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
4 |
- |
- |
- |
- |
- |
-- |
|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
|
- |
- |
- |
- |
|
occurs |
x |
|
= |
|
1+0 |
|
6 |
- |
|
- |
- |
- |
- |
- |
|
- |
- |
- |
|
|
|
|
- |
- |
- |
|
- |
- |
- |
- |
|
|
|
-- |
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+4 |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+6 |
|
9 |
- |
- |
- |
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
2+2 |
|
5 |
5 |
7 |
8 |
2 |
8 |
7 |
1 |
|
|
2+2 |
- |
|
- |
- |
4+3 |
- |
1+6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
5 |
|
|
8 |
|
8 |
|
1 |
|
|
|
2+2 |
= |
|
= |
|
|
|
|
14 |
|
|
8 |
|
8 |
|
19 |
|
|
|
4+9 |
= |
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
|
5 |
7 |
|
2 |
|
7 |
|
|
|
|
2+1 |
= |
|
= |
|
|
|
|
|
5 |
16 |
|
20 |
|
25 |
|
|
|
|
6+6 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
14 |
5 |
16 |
8 |
20 |
8 |
25 |
19 |
|
|
|
1+1+5 |
= |
|
= |
|
|
|
|
5 |
5 |
7 |
8 |
2 |
8 |
7 |
1 |
|
|
|
4+3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
- |
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
- |
- |
- |
|
- |
- |
- |
- |
|
occurs |
x |
|
= |
|
1+0 |
|
- |
- |
- |
|
|
|
-- |
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+4 |
|
- |
- |
- |
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
5 |
5 |
7 |
8 |
2 |
8 |
7 |
1 |
|
|
2+2 |
- |
|
- |
- |
4+3 |
- |
1+6 |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
4 |
VALE |
40 |
13 |
4 |
2 |
OF |
21 |
12 |
3 |
5 |
TEARS |
63 |
18 |
9 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+5+7 |
5+8 |
1+4 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+3 |
1+3 |
|
5 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
4 |
VEIL |
48 |
21 |
3 |
2 |
OF |
21 |
12 |
3 |
5 |
TEARS |
63 |
18 |
9 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+6+5 |
6+6 |
2+1 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+2 |
1+2 |
|
5 |
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
|
1 |
|
5 |
- |
9 |
- |
8 |
|
|
|
|
2+3 |
= |
|
= |
|
|
|
- |
|
19 |
|
14 |
- |
9 |
- |
8 |
|
|
|
|
5+0 |
= |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
|
|
3 |
|
3 |
- |
7 |
- |
|
|
|
|
1+5 |
= |
|
= |
|
|
|
- |
|
|
21 |
|
12 |
- |
7 |
- |
|
|
|
|
6+0 |
= |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
|
19 |
21 |
14 |
12 |
9 |
7 |
8 |
|
|
|
|
1+1+0 |
= |
|
= |
|
|
|
- |
|
1 |
3 |
5 |
3 |
9 |
7 |
8 |
|
|
|
|
3+8 |
= |
|
1+1 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
--- |
- |
|
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
3 |
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
4 |
- |
- |
|
- |
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
6 |
- |
- |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
- |
- |
- |
|
- |
- |
- |
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
- |
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
1+0 |
|
- |
|
- |
|
|
|
- |
|
|
|
3+5 |
- |
|
- |
- |
3+8 |
- |
3+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
|
1 |
3 |
5 |
3 |
9 |
7 |
8 |
|
|
|
- |
- |
|
- |
- |
1+1 |
- |
1+1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
1 |
|
5 |
- |
9 |
- |
8 |
|
|
|
|
2+3 |
= |
|
= |
|
|
|
|
19 |
|
14 |
- |
9 |
- |
8 |
|
|
|
|
5+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
|
3 |
|
3 |
- |
7 |
- |
|
|
|
|
1+5 |
= |
|
= |
|
|
|
|
|
21 |
|
12 |
- |
7 |
- |
|
|
|
|
6+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
|
19 |
21 |
14 |
12 |
9 |
7 |
8 |
|
|
|
|
1+1+0 |
= |
|
= |
|
|
|
|
1 |
3 |
5 |
3 |
9 |
7 |
8 |
|
|
|
|
3+8 |
= |
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
- |
|
- |
|
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
3 |
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
- |
- |
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
- |
|
|
|
3+5 |
- |
|
- |
- |
3+8 |
- |
3+8 |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
1 |
3 |
5 |
3 |
9 |
7 |
8 |
|
|
|
- |
- |
|
- |
- |
1+1 |
- |
1+1 |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
7 |
TALITHA |
71 |
26 |
8 |
C |
= |
3 |
- |
4 |
CUMI |
46 |
19 |
1 |
- |
- |
5 |
- |
11 |
Add to Reduce |
|
|
|
- |
- |
- |
- |
1+1 |
Reduce to Deduce |
1+1+7 |
4+5 |
- |
Q |
- |
5 |
- |
2 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
ERECT |
51 |
24 |
6 |
5 |
PENIS |
63 |
27 |
9 |
13 |
First Total |
|
|
|
1+3 |
Add to Reduce |
1+4+7 |
6+6 |
2+1 |
4 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+2 |
1+2 |
|
4 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
ROUND |
72 |
27 |
9 |
6 |
VAGINA |
54 |
27 |
9 |
15 |
First Total |
|
|
|
1+5 |
Add to Reduce |
1+5+9 |
6+9 |
2+4 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+5 |
1+5 |
|
6 |
Essence of Number |
|
|
|
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
- |
- |
23 |
- |
9 |
Add to Reduce |
|
|
|
- |
- |
2+4 |
- |
- |
Reduce to Deduce |
1+2+6 |
5+4 |
- |
Q |
- |
6 |
- |
9 |
Essence of Number |
|
|
|
5 |
ERECT |
51 |
24 |
6 |
5 |
PENIS |
63 |
27 |
9 |
10 |
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+1+4 |
5+1 |
1+5 |
1 |
Essence of Number |
|
|
|
1 |
O |
15 |
6 |
6 |
4 |
THAT |
49 |
13 |
4 |
3 |
ONE |
34 |
16 |
7 |
2 |
IS |
28 |
10 |
1 |
5 |
ROUND |
72 |
27 |
9 |
3 |
THE |
33 |
15 |
6 |
7 |
ARABIAN |
46 |
28 |
1 |
6 |
NIGHTS |
77 |
32 |
5 |
13 |
First Total |
|
|
|
1+3 |
Add to Reduce |
1+5+6 |
7+5 |
1+2 |
4 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+2 |
1+2 |
|
4 |
Essence of Number |
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
T |
= |
2 |
- |
8 |
THOUSAND |
102 |
30 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
N |
= |
5 |
- |
6 |
NIGHTS |
77 |
32 |
5 |
- |
- |
15 |
- |
21 |
First Total |
|
|
|
- |
- |
1+5 |
- |
2+1 |
Add to Reduce |
2+3+3 |
8+9 |
1+7 |
Q |
- |
6 |
- |
3 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
- |
1+7 |
- |
- |
- |
6 |
5 |
|
Essence of Number |
|
|
|
8 |
COUNTING |
103 |
40 |
4 |
7 |
LETTERS |
99 |
27 |
9 |
3 |
AND |
19 |
10 |
1 |
7 |
NUMBERS |
92 |
29 |
2 |
5 |
COUNT |
73 |
19 |
1 |
6 |
COUNTS |
92 |
20 |
2 |
7 |
COUNTED |
82 |
28 |
1 |
8 |
COUNTING |
103 |
40 |
4 |
6 |
COUNTS |
92 |
20 |
2 |
7 |
NUMBERS |
92 |
20 |
2 |
13 |
First Total |
|
|
|
1+3 |
Add to Reduce |
1+8+4 |
4+0 |
- |
4 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+3 |
- |
|
4 |
Essence of Number |
|
|
|
4 |
JOHN |
47 |
20 |
2 |
7 |
MERRICK |
77 |
41 |
5 |
|
Add to Reduce |
|
|
|
1+1 |
Reduce to Deduce |
1+2+4 |
6+1 |
- |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
8 |
ELEPHANT |
81 |
36 |
9 |
3 |
MAN |
28 |
10 |
1 |
|
Add to Reduce |
|
|
|
1+4 |
Reduce to Deduce |
1+4+2 |
6+1 |
1+6 |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
6 |
ENIGMA |
49 |
31 |
4 |
2 |
OF |
21 |
12 |
3 |
6 |
KASPAR |
66 |
21 |
3 |
6 |
HAUSER |
72 |
27 |
9 |
|
Add to Reduce |
|
|
|
2+3 |
Reduce to Deduce |
2+4+1 |
1+0+6 |
2+5 |
|
Essence of Number |
|
|
|
6 |
FATHER |
58 |
31 |
4 |
6 |
MOTHER |
79 |
34 |
7 |
3 |
SON |
48 |
12 |
3 |
6 |
DAUGHTER |
84 |
39 |
3 |
|
|
- |
- |
|
|
|
- |
- |
|
3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
5 |
GHOST |
69 |
24 |
6 |
4 |
GODS |
45 |
18 |
9 |
3 |
SON |
48 |
12 |
3 |
4 |
GODS |
45 |
81 |
9 |
8 |
DAUGHTER |
84 |
39 |
3 |
4 |
GODS |
45 |
18 |
9 |
4 |
LIFE |
32 |
23 |
5 |
4 |
FORM |
52 |
25 |
7 |
3 |
THE |
33 |
15 |
6 |
9 |
DIMENSION |
102 |
48 |
3 |
|
Add to Reduce |
|
|
|
1+2 |
Reduce to Deduce |
1+3+5 |
6+3 |
- |
|
Essence of Number |
|
|
|
9 |
BALANCING |
63 |
36 |
9 |
9 |
JUDGEMENT |
99 |
36 |
9 |
|
Add to Reduce |
|
|
|
1+8 |
Reduce to Deduce |
1+6+2 |
7+2 |
1+8 |
|
Essence of Number |
|
|
|
1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
2 |
AT |
21 |
3 |
3 |
|
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
4+4 |
1+7 |
1+7 |
|
Essence of Number |
|
|
|
4 |
MAAT |
35 |
8 |
8 |
2 |
IS |
28 |
10 |
1 |
|
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
6+3 |
1+8 |
- |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
10 |
RESONATING |
122 |
50 |
5 |
4 |
FIVE |
42 |
24 |
6 |
2 |
IS |
28 |
10 |
1 |
19 |
First Total |
|
|
|
1+9 |
Add to Reduce |
2+2+5 |
9+9 |
1+8 |
10 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+8 |
|
1 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
J |
U |
D |
G |
E |
M |
E |
N |
T |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
5 |
|
9 |
5 |
|
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
|
|
|
2+4 |
= |
|
= |
|
|
|
- |
- |
|
|
|
|
14 |
|
9 |
14 |
|
- |
- |
- |
- |
- |
- |
- |
- |
14 |
- |
|
|
|
5+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
J |
U |
D |
G |
E |
M |
E |
N |
T |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
2 |
1 |
3 |
1 |
|
3 |
|
|
7 |
|
1 |
3 |
4 |
7 |
5 |
4 |
5 |
- |
2 |
|
|
|
4+8 |
= |
|
1+2 |
|
|
|
- |
- |
2 |
1 |
12 |
1 |
|
3 |
|
|
7 |
|
10 |
21 |
4 |
7 |
5 |
13 |
5 |
- |
20 |
|
|
|
1+1+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
J |
U |
D |
G |
E |
M |
E |
N |
T |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
2 |
1 |
12 |
1 |
14 |
3 |
9 |
14 |
7 |
- |
10 |
21 |
4 |
7 |
5 |
13 |
5 |
14 |
20 |
|
|
|
1+6+2 |
= |
|
= |
|
|
|
- |
- |
2 |
1 |
3 |
1 |
5 |
3 |
9 |
5 |
7 |
- |
1 |
3 |
4 |
7 |
5 |
4 |
5 |
5 |
2 |
|
|
|
7+2 |
= |
|
= |
|
|
|
|
18 |
|
|
|
|
|
|
|
|
|
- |
J |
U |
D |
G |
E |
M |
E |
N |
T |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
4 |
- |
- |
4 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
- |
|
|
|
occurs |
x |
|
= |
|
2+5 |
|
|
|
- |
|
- |
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
- |
- |
- |
|
|
|
- |
|
- |
|
|
|
|
|
|
- |
|
- |
|
|
- |
|
-- |
- |
- |
|
|
|
occurs |
x |
|
= |
|
1+4 |
|
|
|
- |
|
- |
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
EIGHT |
8 |
|
- |
- |
- |
|
|
|
- |
|
- |
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
- |
|
|
3+1 |
- |
|
1+8 |
- |
7+2 |
- |
4+5 |
|
|
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- |
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|
2 |
1 |
3 |
1 |
5 |
3 |
|
5 |
7 |
- |
1 |
3 |
4 |
7 |
5 |
4 |
5 |
5 |
2 |
|
|
- |
- |
|
- |
- |
- |
- |
- |
|
|
|
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- |
J |
U |
D |
G |
E |
M |
E |
N |
T |
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- |
J |
U |
D |
G |
E |
M |
E |
N |
T |
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
5 |
|
9 |
5 |
|
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
|
|
|
2+4 |
= |
|
= |
|
|
|
- |
|
|
|
|
14 |
|
9 |
14 |
|
- |
- |
- |
- |
- |
- |
- |
- |
14 |
- |
|
|
|
5+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
J |
U |
D |
G |
E |
M |
E |
N |
T |
|
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|
|
|
|
|
- |
- |
|
- |
2 |
1 |
3 |
1 |
|
3 |
|
|
7 |
|
1 |
3 |
4 |
7 |
5 |
4 |
5 |
- |
2 |
|
|
|
4+8 |
= |
|
1+2 |
|
|
|
- |
2 |
1 |
12 |
1 |
|
3 |
|
|
7 |
|
10 |
21 |
4 |
7 |
5 |
13 |
5 |
- |
20 |
|
|
|
1+1+1 |
= |
|
= |
|
|
|
|
|
|
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|
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|
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- |
J |
U |
D |
G |
E |
M |
E |
N |
T |
|
|
|
|
|
|
|
- |
- |
|
- |
2 |
1 |
12 |
1 |
14 |
3 |
9 |
14 |
7 |
- |
10 |
21 |
4 |
7 |
5 |
13 |
5 |
14 |
20 |
|
|
|
1+6+2 |
= |
|
= |
|
|
|
- |
2 |
1 |
3 |
1 |
5 |
3 |
9 |
5 |
7 |
- |
1 |
3 |
4 |
7 |
5 |
4 |
5 |
5 |
2 |
|
|
|
7+2 |
= |
|
= |
|
|
|
18 |
|
|
|
|
|
|
|
|
|
- |
J |
U |
D |
G |
E |
M |
E |
N |
T |
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|
|
|
|
- |
- |
|
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|
|
|
|
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
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|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
4 |
- |
- |
4 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
- |
|
|
|
occurs |
x |
|
= |
|
2+5 |
|
|
- |
|
- |
|
|
|
|
|
|
- |
|
- |
|
|
- |
|
-- |
- |
- |
|
|
|
occurs |
x |
|
= |
|
1+4 |
|
|
- |
|
- |
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
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|
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|
- |
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|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
5 |
- |
5 |
5 |
- |
|
|
3+1 |
- |
|
1+8 |
- |
7+2 |
- |
4+5 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
3 |
1 |
5 |
3 |
|
5 |
7 |
- |
1 |
3 |
4 |
7 |
5 |
4 |
5 |
5 |
2 |
|
|
- |
- |
|
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
J |
U |
D |
G |
E |
M |
E |
N |
T |
|
|
|
|
|
|
|
|
|
|
4 |
GIVE |
43 |
25 |
7 |
2 |
ME |
18 |
9 |
9 |
4 |
FIVE |
42 |
24 |
6 |
10 |
First Total |
|
|
|
1+0 |
Add to Reduce |
1+0+3 |
5+8 |
2+2 |
1 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+3 |
|
1 |
Essence of Number |
|
|
|
2 |
GI |
16 |
16 |
7 |
2 |
MI |
22 |
13 |
4 |
4 |
FIVE |
42 |
24 |
6 |
8 |
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
8+0 |
5+3 |
1+7 |
8 |
Essence of Number |
|
|
|
3 |
MEN |
32 |
14 |
5 |
3 |
AND |
19 |
10 |
1 |
5 |
WOMEN |
70 |
25 |
7 |
11 |
First Total |
|
|
|
1+1 |
Add to Reduce |
1+2+1 |
4+9 |
1+3 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+3 |
|
2 |
Essence of Number |
|
|
|
3 |
MAN |
28 |
10 |
1 |
3 |
AND |
19 |
10 |
1 |
5 |
WOMAN |
66 |
21 |
3 |
11 |
Add to Reduce |
|
|
|
1+1 |
Reduce to Deduce |
1+1+3 |
4+1 |
- |
2 |
Essence of Number |
|
|
|
- |
OSIRIS SIRIUS |
|
|
- |
2 |
S+O |
34 |
7 |
7 |
1 |
I |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
S+S |
38 |
20 |
2 |
1 |
I |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
U+S |
40 |
13 |
4 |
12 |
OSIRIS SIRIUS |
|
|
|
YEA
THOUGH
I
WALK
THROUGH
THE
VALLEY OF THE SHADOW OF DEATH
I
WILL FEAR NO EVIL FOR THOU ART WITH
ME
ALWAYS
JUST SIX NUMBERS
Martin Rees
1
999
OUR COSMIC HABITAT
PLANETS STARS AND LIFE
Page 24
A
proton
is
1,836 times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence'
Shakespeare Quotes - Such Stuff as Dreams Are Made on.
www.enotes.com/shakespeare-quotes/we-such-stuff-dreams-made
The Tempest Act 4, scene 1, William Shakespeare
Prospero:
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and our little life
Is rounded with a sleep.
2 |
WE |
28 |
10 |
1 |
3 |
ARE |
24 |
15 |
6 |
4 |
SUCH |
51 |
15 |
6 |
5 |
STUFF |
72 |
18 |
9 |
2 |
AS |
20 |
2 |
2 |
6 |
DREAMS |
60 |
24 |
6 |
3 |
ARE |
24 |
15 |
6 |
4 |
MADE |
23 |
14 |
5 |
2 |
ON |
29 |
11 |
2 |
3 |
AND |
19 |
10 |
1 |
3 |
OUR |
54 |
18 |
9 |
4 |
LITTLE |
78 |
24 |
6 |
4 |
LIFE |
32 |
23 |
5 |
2 |
IS |
28 |
10 |
1 |
7 |
ROUNDED |
81 |
36 |
9 |
4 |
WITH |
60 |
24 |
6 |
1 |
A |
1 |
1 |
1 |
5 |
SLEEP |
57 |
21 |
3 |
|
First Total |
|
|
|
6+6 |
Add to Reduce |
7+4+1 |
2+9+1 |
8+4 |
|
Second Total |
|
|
|
1+2 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
|
Essence of Number |
|
|
|
The Abbe Sieyes author of the pamphlet What is the third estate? intrigued with Napoleon Bonaparte and became a Consul of the French Republic.
www.age-of-the-sage.org/historical/biography/abbe_sieyes.html
Qu'est-ce que le tiers état? ( What is the third estate? ).
The Abbé Sieyès "... it was in Paris that he spent his last days in 1836."
GOD ONE GOD
AND ONE CHOSEN RACE THE HUMAN RACE
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
|
QUO VADIS |
|
|
|
|
Q |
17 |
8 |
|
|
U |
21 |
3 |
|
|
O |
15 |
6 |
|
|
VADIS |
55 |
19 |
|
9 |
QUO VADIS |
108 |
36 |
18 |
|
|
1+0+8 |
3+6 |
1+8 |
9 |
QUO VADIS |
9 |
9 |
9 |
|
QUO VADIS |
|
|
|
|
VADIS |
55 |
19 |
|
|
Q |
17 |
8 |
|
|
U |
21 |
3 |
|
|
O |
15 |
6 |
|
9 |
QUO VADIS |
108 |
36 |
18 |
|
|
1+0+8 |
3+6 |
1+8 |
9 |
QUO VADIS |
9 |
9 |
9 |
7 |
WHITHER |
91 |
46 |
1 |
5 |
GOEST |
66 |
21 |
3 |
4 |
THOU |
64 |
19 |
1 |
16 |
First Total |
221 |
86 |
5 |
1+6 |
Add to Reduce |
2+2+1 |
8+6 |
- |
7 |
Second Total |
5 |
14 |
5 |
- |
Reduce to Deduce |
- |
1+4 |
- |
7 |
Essence of Number |
5 |
5 |
5 |
THE ANANGA RANGA OF KALYANA MALLA
Translated By Sir Richard Burton and F. F. Arbuthnot
and
THE SYMPOSIUM OF PLATO
Translated By Benjamin Jowett
Edition 1963
Page 9
THE PLATONIC AND HINDU ATTITUDES TO LOVE AND SEX
by
Kenneth Walker
"PLATO, who was born in 428-7 B.C., devoted four of his dialogues mainly to the questions of love and sexual pleasure, the Lysis, the Symposium, the Phaedrus and the Philebus, qf which the Symposium and the Phaedrus are by far the most important. The opening words of the Philebus state in the clearest possible form the opposing points of view of the popular pursuit of pleasure and the sterner Platonic attitude:
"Philebus was saying that enjoyment and pleasure and delight, and the class of feelings akin to them, are a good to every living being, whereas I contend, that not these, but wisdom and intelligence and memory, and their kindred, right opinion and true reasoning, are better and more desirable than pleasure for all who are able to partake of them, and that to all such who are or ever will be they are the most advantageous of all things. Have I not given, Philebus, a fair statement of the two sides of the argument? "
Although in the Lysis and the Symposium the treatment is poetical and romantic, in the latter dialogue the inferiority of physical love is considerably stressed. /Page 10/ The seeker for truth is advised to proceed step by step, from the love of human forms to the virtually mystical contemplation of the abstract ideal of beauty itself. This is summarised at the conclusion of Socrates' famous speech:
"He who has been instructed thus far in the things of love, and who has learned to see the beautiful in due order and succession, when he comes toward the end will suddenly perceive a nature of wondrous beauty-a nature which in the first place is everlasting, not growing and decaying, or waxing and waning; secondly, not fair in one point of view and foul in another, or at one time or in one relation or at one place fair, at another time or in another relation or at another place foul, as if fair to some and ioul to others, or in the likeness of a face or hands or any other part of the bodily frame, or in any form of speech or knowledge, or existing in any other
being, as for example, in an animal, or in heaven, or in earth, or in any other place; but beauty absolute separate simple and everlasting, which without diminution and without increase, or any change, is imparted to the ever-growing and perishing beauties of all other things. He who from these ascending under the influence of true love, begins to perceive that beauty, is not far from the end. And the true order of going, or being led by another, to the things of love, is to begin from the beauties of earth and mount upwards for the sake of that other beauty, using these as steps only, and from one going on to two, and from two to all fair forms, and from fair arms to fair practices, and from fair practices to fair
notions, until from fair notions he arrives at the /Page 11/absolute beauty, and at last knows what the essence of beauty is ... In that communion only, beholding beauty with the eye of the mind, he will be enabled to bring forth, not images of beauty, but realities (for he has hold not of an image but of a reality), and bringing forth and nourishing true virtue to become the friend of god and be immortal, if mortal man may."
The Phaedrus was written in Athens in the fourth century B.C. and probably in Plato's middle years. The opening theme of the work is the art of rhetoric and this leads to a discussion of love. There follows the memorable allegory of the charioteer, Reason, and his two horses, representing the moral and concupiscent elements in human nature. This formulation of the tripartite nature. of the soul has been fundamental to Western philosophy. Here is the distinction which is reflected in the warring of the flesh and the spirit, of which St. Paul and so many later Christian teachers speak. Plato, it is true, did not make an absolute separation of these two aspects of the soul, aware as he was of the ease with which the higher passes into the lower or the lower can be "tamed and humbled, and follow the will of the charioteer". Such concepts are common in the strains of Christian mysticism. St. Francis would gladly have echoed th sentiment of the great final prayer of this work: "Beloved Pan, and all ye other gods who haunt this place, give me beauty in the inward soul: and may the outward and the inward man be at one". But it is undoubted that from the denigration of the senses, cleaHy laid down in Plato's last work, the Laws, and which is certainly implicit in the Phaedrus, 'stems the tenacious tradition in the /Page 12/ West that the body and its desires should be treated
with severe discipline, as unworthy of the higher nature of man and tending to deprive him of true happiness and harmony."
"BELOVED PAN AND ALL YE OTHER GODS WHO HAUNT THIS PLACE,
GIVE ME BEAUTY IN THE INWARD SOUL: AND MAY THE OUTWARD AND THE INWARD MAN BE AT ONE".
Humanitites Institute Colloquium: Redefining Nature's Boundaries ... - 10:37pm
Plato wrote of his teacher Socrates invoking a prayer in a grove of Attica to Pan, god of nature: “Beloved Pan, and all ye other gods who haunt this place, ...
www.bucknell.edu/x31103.xml - Cached - Similar
Plato wrote of his teacher Socrates invoking a prayer in a grove of Attica to Pan, god of nature: “Beloved Pan, and all ye other gods who haunt this place, give me beauty in the inward soul; and may the outward and inward man be at one.” A few centuries later, the writer Plutarch described the announcement of the death of Pan in the heyday of the Roman Empire. Thamus, an Egyptian pilot called by a mysterious voice while at sea, is told to announce the death of the god. “Looking toward the land, he said the words as he had heard them: ‘Great Pan is dead.’ Even before he had finished there was a great cry of lamentation, not of one person, but of many, mingled with exclamations of amazement.”
Pan (mythology) - Wikipedia, the free encyclopedia
The god, still infatuated, took some of the reeds, because he could not identify ... When you reach Palodes, take care to proclaim that the great god Pan is dead. .... Vinci, Leo (1993), Pan: Great God Of Nature, Neptune Press, London ...
en.wikipedia.org/wiki/Pan_(mythology)
The Death of Pan
Pan, Mikhail Vrubel 1900.If one were to believe the Greek historian Plutarch (in "The Obsolescence of Oracles" (Moralia, Book 5:17)), Pan is the only Greek god who is dead. During the reign of Tiberius (A.D. 14-37), the news of Pan's death came to one Thamus, a sailor on his way to Italy by way of the island of Paxi. A divine voice hailed him across the salt water, "Thamus, are you there? When you reach Palodes,[17] take care to proclaim that the great god Pan is dead." Which Thamus did, and the news was greeted from shore with groans and laments.
Robert Graves (The Greek Myths) suggested that the Egyptian Thamus apparently misheard Thamus Pan-megas Tethnece 'the all-great Tammuz is dead' for 'Thamus, Great Pan is dead!' Certainly, when Pausanias toured Greece about a century after Plutarch, he found Pan's shrines, sacred caves and sacred mountains still very much frequented.
GREAT PAN IS NOT DEAD
neoplatonism : Message: Re: [neoplatonism] Re: hieroglyphs ...
Minotaurus"), and the > Egyptian "Rhadamanthys" ("Ra of Ament," "Ruler of Hades"; Naville, "La > ... M.C. There is a good account of them in F. Boll's Sphaera. Neue ...
groups.yahoo.com/group/neoplatonism/message/680?l=1 - 66k - Cached
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
VOX POP |
108 |
36 |
9 |
8 |
INSTINCT |
108 |
36 |
9 |
8 |
STARTING |
108 |
36 |
9 |
9 |
COMPLETES |
108 |
36 |
9 |
7 |
JOURNEY |
108 |
36 |
9 |
O
NAMUH
BELOVED CHILDREN OF THE LIGHT BLESSED
DREAMER OF DREAMS
AWAKEN
THE
ETERNAL MOMENT
BIRTHS
ITS
FUTURE
What is 09/09/09 means? - HypnoThoughts.com
Or, maybe the number just means your left brain hemisphere likes symmetrical ... by Christian apocalyptic numerology, ... Over here, we have always dialled 999 ...
www.hypnothoughts.com/forum/topics/what-is-09/09/09-means - 78k - Cached
Why 09/09/09 Is So Special | LiveScience
In some cultures, the number 9 is special and can carry good or bad omens. ... As the final numeral, the number nine holds special rank. ...
www.livescience.com/culture/09/09/09-2009-date-nines.html
""""" Ooo. Don't forget the religious groups whom believe 666 is suppose to be 999 and that tomorrow is the day of the beast. """""
1,2,3,4: Pythagoras and the Cosmology of Number
... to multiplicity via duality and trinity, is expressed even more graphically in ... Michell, The Dimensions of Paradise: The Proportions and Symbolic Numbers of ...
vedicmaths.org/Free Resources/Articles/1234_pythagoras.asp - Cached
Free Resources
1,2,3,4: PYTHAGORAS
1,2,3,4: PYTHAGORAS AND THE COSMOLOGY OF NUMBER
At the heart of vedic mathematics lies a principle that underscores most, if not all, of the ancient wisdom traditions, the conveying of knowledge through cryptic, highly compressed expressions, open to multiple levels of interpretation. A prime example of this is the teaching of the Greek mathematician and sage Pythagoras. According to his ancient biographers:
"In the Pythagorean school, knowledge was transmitted symbolically, through the use of cryptic statements and riddles, in which a small number of words was pregnant with multiple levels of interpretation. Students were required to find meaning in these enigmatic lessons, sometimes through questioning and dialogue, sometimes by meditating upon their many possible meanings." (1)
If this was true of Pythagorean teachings, it was even more significant in more ancient schools of knowledge; it was, after all, at these schools, in Egypt, Babylon, and elsewhere, that Pythagoras gained his knowledge. In the case of the Indian tradition, both in Vedic times and later in the Hindu and Buddhist periods, the term most commonly encountered for this kind of cryptic literature was the sutra or collection of sutras. While this is often translated as "aphorism," or "formula," the word comes from the Sanskrit root for "thread," a usage that persists in the modern word "suture." As doctors use sutures to sow us up after surgery, the ancient sutras tie together our knowledge and integrate our awareness. There is no better example than the teachings contained in Patanjali's Yoga Sutras whose terse expressions contain instructions for the development of higher states of consciousness. Similarly, all the principles of vedic mathematics are encapsulated in sixteen sutras, which, along with thirteen sub-sutras, provide the basis for all the operations described in "The Cosmic Computer" (2).
If vedic mathematics can be counted as part of vedic literature, its ultimate source is the Rg Veda. This is certainly not concise, consisting of over 10,000 verses, but, as His Holiness Maharishi Mahesh Yogi has explained, it has a unique structure in which the essence of the whole text is essentially contained in one highly compressed expression--its first word. "It is the purpose of all ciphers to invest a few signs with much meaning," Carlo Suarès tells us. "In the severity of its beginning, in its first chapter, in its first sequence of letter numbers, is the seed, and in the seed is the whole." (3)
Suarès is referring to the beginning of Genesis, in which the process of creation is described, using the symbolism of gematria, in which each letter is given a numerical value. (4) According to Maharishi, the Rg Veda also sets forth a cosmogony in its first word-- Agni, but using a purely linguistic symbolism based on the physiology of speech. The first letter, or sound, AAAAAA…, pronounced with the mouth and throat fully open, and thus with a fully open sound, represents the fullness of the unmanifest, unbounded Brahman. But the letter G, a full glottal stop, introduces the first boundary on the full openness of the sound AAAAAA…. As the wave value of a sub-atomic particle collapses onto a point value when observed, so the unity, or samhita, value of Brahman collapses onto a point and becomes the triadic value of rishi, devata and chhandas, observer, process of observing, and object of observation. From here the process of manifestation begins. As the full stream of manifestation emerges, it leads on to the fullness of creation, and this is represented by the syllable NI, the same name given to the leading tone in Indian music (Sa, Re, Ga, Me Pa, Dha, Ni.....). The details of the process, and the content of manifestation and evolution, are unfolded through the rest of the verses of Rg Veda and commented upon by the rest of Vedic literature, including vedic mathematics.
Unity, duality, diversity, wholeness. These are the mechanics of creation described in different symbolic formulations in different knowledge traditions. To find it in purely mathematical or numerical form we return to the Pythagorean tradition, and its most concise expression comes from his successor Plato. Considered the most Pythagorean of Platonic dialogues, the Timaeus begins with a question by Socrates: "One, two, three ? but where, my dear Timaeus, is the fourth of my guests of yesterday who were to entertain me today?" (5) Commentators usually ignore this statement, but, as we have seen, in ancient literature every expression is "pregnant with multiple levels of meaning." This is particularly true when dealing with numbers.
"He [Pythagoras] held that the ultimate substances of all things, material and immaterial, were numbers, which had two distinct and complimentary aspects. On the one hand, they had a spatial and dynamic existence, and, on the other, they were fundamental formulating principles which were purely abstract. Thus, for example, the monad was understood by the Pythagoreans both as the number one, which had physical properties that could be manipulated in nature, and as an idea, which embodied the original unity at the source of all creation." (6)
The fundamental formulating principles in the universe are those values of unity, duality, diversity and wholeness we have already encountered. In Pythagorean thought these principles are clearly expressed in the first four numbers. Furthermore, this symbolism can be interpreted in terms of the Quadrivium, the four Pythagorean mathematical disciplines: arithmetic, music, geometry and astronomy.
Arithmetic was seen as the study of the abstract essence of things. Thus each number had a cosmological, as well as mathematical, significance. The monad, manifest as the number one, denotes the primordial unity at the basis of creation. The transition from one to two, from the monad to the dyad, represents the first step in the process of creation--unity polarizing within itself becomes duality. Three, the triad, is the first true number. One contains the seed, and two introduces potential. Three brings number into being, causing the potential contained within the monad to manifest into its true expression, the world of plurality and multitude.
If one and two initiate creation, three and four complete the process. Therefore, the tetrad, four, represents completion. Everything in the universe, both natural and numerical, is completed in the progression from one to four as 1 + 2 + 3 + 4 = 10, which brings us to the decad, also known to the Pythagoreans as the tetraktys, and representing their most sacred symbol. The same sequence, from unity to multiplicity via duality and trinity, is expressed even more graphically in the simplest and most basic musical relationships, those expressed through the numbers 1,2,3,4. The simplest and most fundamental musical relationship is the octave, discovered by Pythagoras to be the 1:2 relationship, and by Joseph Saveur (1653-1716) many centuries later, to be the first relationship in the harmonic overtone series. The experience of the octave is of two notes that are the same and yet different, and these values, sameness and difference are the fundamental substances used by the Demiurge to create the World-Soul in the Timaeus. Further, the octave provides the boundary conditions within which the musical universes contained within scales are formed, the values of Do in Do, Re, Mi, Fa, So, La, Ti, Do. Of these intervals, the central ones are those found to be next in the overtone series, 2:3, known as the fifth and 3:4 known as the fourth. These values are found in the first four harmonics of the overtone series, first 1:2 (octave), then 2:3 (fifth) then 3:4 (fourth) recapitulating the octave at the next power of two. In four simple sounds the whole process of unity, duality, multiplicity and wholeness is presented to the awareness.
In subsequent centuries, the science of geometry was developed into a sacred form in which the same process is represented by the circle (unity), contrasted with the square (diversity), and reconciled in the squaring of the circle, in alchemical practice, and the development of the mandala in Eastern art and architecture. "The object of sacred geometry being to depict that fusion of opposites, the squared circle is therefore its first symbol. Temples and cosmological cities throughout antiquity were founded on its proportions." (7) For Pythagoras, the symbolism of wholeness (kosmos) and order (harmonia) extended beyond mathematical to astrological phenomena. A theoretical planet called the counter-earth was posited to bring the number of heavenly bodies in the Pythagorean firmament to ten, the perfect number, the number of the tetraktys. And over time, an association between planets and musical notes was developed and elaborated into the famous "music of the spheres," a beautiful image of the kosmos as a divine harmony.
Having seen its range of implications, it could almost be stated that the sequence 1,2,3,4 sums up, in a compressed symbolism, the whole range of Pythagoreanism. But if we delve deeper into Platonic thought, a further dimension is revealed. In one of his most potent allegories, known as the "Divided Line," Plato sets out his theories of ontology and epistemology, and again it is done in terms of the number four. In this analogy, Plato makes a distinction between the outer realm of the world, illuminated by the sun and the inner realm of the mind, illuminated by the Good. The Divided Line passage divides each of these realms into two further sections. Plato also deals with the state of mind in which the resultant four realms are apprehended, resulting in the following scheme:
Level Object Faculty Type of Knowledge
IV Forms dialectic transcendental cognition } internal
III mathematics thinking, scientific understanding } world
Etc. reasoning
--------------------------------------------------------------------------------
II physical sense common-sense belief } external
objects perception } world
I shadows illusory illusion (8)
perception
It can be seen from this scheme that within the subjective realm of the mind, Plato posits a level of knowledge higher than that which deals with mathematical objects through the processes of thinking and reasoning. This is the level of the forms and it is reached, Plato tells us, through the use of the "second phase" of the dialectic, a technique that, according to Jonathan Shear is similar to the practice of jñana yoga. (9) This again reflects the Pythagorean approach to mathematics, one that must, on some level at least, apply to vedic maths also:
"For Pythagoras, mathematics served as a bridge between the visible and invisible worlds. He pursued the discipline of mathematics not only as a way of understanding and manipulating nature, but also as a means of turning the mind away from the physical world, which he held to be transitory and unreal, and leading it to the contemplation of eternal and truly existing things that never vary. He taught his students that by focusing on the elements of mathematics, they could calm and purify the mind, and ultimately, through disciplined effort, experience true happiness." (10)
Notes:
(1) John Strohmeier and Peter Westbrook. Divine Harmony: The Life and Teachings of Pythagoras. (Berkeley, CA: Berkeley Hills Books, 1999), p. 54.
(2) Williams and Gaskell, The Cosmic Computer (Inspiration Books, 1997.
(3) Carlo Suarès The Cipher of Genesis (York Beach, Maine: Samuel Weiser, Inc., 1992), p. 72.
(4) For more information on gematria see John Michell, The New View Over Atlantis (London: Thames & Hudson Ltd., 1983) and Gordon Strachan, Jesus the Master Builder: Druid Mysteries and the Dawn of Christianity. (Edinburgh: Floris Books, 1998).
(5) Plato, Timaeus, 17a.
(6) Strohmeier & Westbrook (1999), p. 66.
(7) John Michell, The Dimensions of Paradise: The Proportions and Symbolic Numbers of Ancient Cosmology (San Francisco: Harper & Row, 1988), pp. 66-67.
(8) Jonathan Shear, The Inner Dimension: Philosophy and the Experience of Consciousness (New York: Peter Lang, 1990), p. 12, n2.
(9) It is interesting note that the Greek word harmonia has a similar etymology to the Sanskrit yoga, viz. a joining together of opposite values.
(10) Strohmeier & Westbrook (1999), p. 66
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DO NOT GO GENTLE INTO THAT GOOD NIGHT
Dylan Thomas
(27 October 1914 – 9 November 1953)
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
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